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Yo La Tengo - And Then Nothing Turned Itself Inside-Out (2000) EAC FLAC Image (Cue&Log) 483 Mb (incl 5%) Mp3 (CBR320) 190 Mb (incl 5%) Scans included Genre: Indie Rock, Noise Pop, Dream Pop Label: Matador # OLE 371-2 Time: 01:17:36 And Then Nothing Turned Itself Inside-Out is the ninth studio album by American indie rock band Yo La Tengo, released on February 22, 2000 by Matador Records. The album received positive reviews from critics.
After years as one of indie rock's standard-bearing groups, Yo La Tengo surpasses itself with And Then Nothing Turned Itself Inside-Out. A culturally literate, emotionally rich album, on songs like 'Let's Save Tony Orlando's House,' 'The Crying of Lot G,' and 'The Last Days of Disco,' it alludes to The Simpsons, enigmatic author Thomas Pynchon and independent films while exploring the comforting, confining, complex aspects of relationships. 'Our Way to Fall' sets Ira Kaplan's recollection of falling in love to a dreamy, down-to-earth backdrop of gently brushed drums, luminous organs and vibes; 'The Crying of Lot G' transforms the syrupy sweetness of '50s ballads into a monologue about a relationship's shortcomings. 'Madeline's shimmery indie bossa-nova and the countrified ballad 'Tears Are in Your Eyes' showcase Georgia Hubley's buttery, empathetic voice; her singing makes these vignettes universal as well as personal. Like mature indie rock records such as Pavement's Terror Twilight and Jim O'Rourke's Eureka, And Then Nothing favors mellow songwriting, detailed arrangements, and eclectic influences, such as the Silver Apples-like drum machines and doo wop backing vocals that adorn many of the songs. The wintry, implosive 'Everyday' uses both of these elements, along with a plaintive guitar and hushed, hypnotic vocals, to begin the album on a surprisingly somber note.
Similarly, the off-kilter beats, odd piano bursts, and harmonies on 'Saturday' add to the song's awkward, uneasy beauty. Finally, nine songs into the album, Yo La Tengo breaks out the whammy and feedback action on 'Cherry Chapstick,' their most incandescent song since 'Sugarcube.' Easily one of 2000's most accomplished albums, And Then Nothing Turned Itself Inside-Out isn't as immediate as some of the group's earlier work, but it's just as enduring, proving that Yo La Tengo is the perfect band to grow old with. CUETools log; Date: 18:08:32; Version: 2.1.4 CTDB TOCID: Eawo1l0cMIerAeHHQyR6KmVwo8E- found. Track CTDB Status 1 (20/20) Accurately ripped 2 (20/20) Accurately ripped 3 (20/20) Accurately ripped 4 (20/20) Accurately ripped 5 (20/20) Accurately ripped 6 (20/20) Accurately ripped 7 (20/20) Accurately ripped 8 (20/20) Accurately ripped 9 (18/20) Accurately ripped, or (1/20) differs in 32 samples @02:44:02 10 (20/20) Accurately ripped 11 (20/20) Accurately ripped 12 (20/20) Accurately ripped 13 (19/20) Accurately ripped AccurateRip ID: 0020d2d1-01499111-c112300d found.
You’ve just had the perfect day. Sun drenched and bone tired, you gather up your things with your friends.
There is sand in your hair and on your bare feet, but you don’t care. You can wash it off tomorrow. You pile into the car laughing about some inside joke that no one outside that day would ever understand.
The car hits the road and everyone grows silent, lost in their own little world as they reminisce and take in the day. Sinking into their seats as the sun begins to set on the horizon. THIS is the album for that ride home. No one says a word.
No one needs to say a word. There’s nothing to say.
The days fond memories and the music meld perfectly together as the wind the from the half open car windows plays with your hair. And you all fall half asleep with a half smile on your face thinking the same thought - this was the greatest day. Finishing perhaps one of the greatest four run album runs in indie, hell rock history, And Then Nothing Turned Itself Inside-Out is Yo La Tengo at their mellowest. They know the perfect music for the ride back from the Jersey shore, and this is it. Like all the albums in this four run stretch from Painful to ATNTIIO, this is essential indie rock. Yo La Tengo always got a bit overlooked perhaps because they never broke up or maybe because their music was always a bit more understated and less headline grabbing, but they are easily one of the greatest indie rock bands of the 90s.
And you need to look no further than this (almost) seamless masterpiece to find out why. Aside: My one (minor) quibble with this album is with “Cherry Chapstick”. It’s a great song, but breaks up the super mellow vibe of the rest of the album. It’s a song that would have fit much better on Electr-o-pura or I Am Not Afraid of You and Will Beat Your Ass.
And Then Nothing Turned Itself Inside-out
Following the frenzied pace of I Can Hear the Heart, Yo La Tengo return with a more personal affair. Many of the themes explored on this record had been touched upon earlier in YLT's repertoire, but never had the band attempted to collect their most emotional stylings into one album until here. What results is a high quality album and Yo La Tengo's most personal to date. Whereas on I Can Hear the Heart we understand the band is paying tribute to their favourite idols in music, with And Then Nothing we hear the band reflecting more upon themselves. Pleasant throughout, this record lacks the stronger standout tracks prevalent throughout their career, but personal favourites include 'Let's Save Tony Orlando's House' and the brilliant lullaby cover of George McRae's 'You Can Have It All'.
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